biggboylover:

milwaukeemorgan:

Diane is stealing seats. Dump her ass in the ocean

Omg this made me laugh

biggboylover:

milwaukeemorgan:

Diane is stealing seats. Dump her ass in the ocean

Omg this made me laugh

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endracismandhomophobia:

Thinking has been illegal for a long time. Hate to break it to ya!

endracismandhomophobia:

Thinking has been illegal for a long time. Hate to break it to ya!

(Source: knowbyheart22)

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childrenwithprivilege:

but apparently only if they’re light-feathered, light-beaked, and cis-species.

childrenwithprivilege:

but apparently only if they’re light-feathered, light-beaked, and cis-species.

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ladybitchtits:

I can’t even
Why did I not know of this blog’s existence forever ago

cisLOLhir

ladybitchtits:

I can’t even

Why did I not know of this blog’s existence forever ago

cisLOLhir

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New video for Losing My Sledge - 2012 remix from Jeb 50 Pound Note and myself. It’s a parody of the old Losing My Edge LCD Soundsystem track, also a mashup including bits from Michael Jackson & Lipps Inc.

Happy Holidays!

Tags #Losing My Sledge    #TBC Poundsystem    #LCD Soundsystem    #50 Pound Note    #Instamatic    #Michael Jackson    #Lipps Inc    #Don't Stop If Get Enough    #Funkytown    #Xmas    #Christmas    #parody    - Reblog Share

artqueer:

James Bidgood

artqueer:

James Bidgood

(Source: jessicadeancamp)

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Soup

badkidsjokes:

Mommy, Mommy! What’s a vampire?
Shut up and eat your soup
Mommy, Mommy! I don’t like tomato soup!
Shut up, we only have it once a month

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Chicken

badkidsjokes:


why did the chicken cross the road?


because he wanted to shag the lollipop lady

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fuckyeahbookarts:

The Lost Sketchbook of Guillermo del Toro:

Filmmaker Guillermo del Toro put all his ideas for `Pan’s Labyrinth’ in a notebook — then lost it.

The heavyset man ran down the London street, panting, chasing the taxi. When it didn’t stop, he hopped into another cab. “Follow that cab!” he yelled. Guillermo del Toro wasn’t directing this movie. He was living it. And it was turning into a horror tale.

The Mexican filmmaker keeps all of his ideas in leather notebooks. And Del Toro had just left four years of work in the back seat of a British cab. Unlike in the movies, though, Del Toro couldn’t catch the taxi. Visits to the police and the taxi company proved equally fruitless.

Del Toro’s films — “Chronos,” “The Devil’s Backbone,” “Blade II,” “Hellboy” — typically feature magical realism. Fate was about to return the storytelling favor.

The cabbie spotted the misplaced journal. Working from a scrap of stationery that didn’t even have the name of Del Toro’s hotel (just its logo), the driver returned the book two days later. An overwhelmed Del Toro promptly gave him an approximately $900 tip.

The sketches and the ideas in that misplaced journal — four years of notes on character design, ruminations about plot — were the foundation of “Pan’s Labyrinth,” a child’s fantasy set in the wake of the Spanish Civil War.

The director, who at the time wasn’t even sure he’d actually make “Pan’s Labyrinth,” took the cabbie’s act as a sign, and plunged himself into the movie.

Pan’s Labyrinth is one of my favourite movies.

(via drtuesdaygjohnson)

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